Guided by dreams and an intuitive relationship with plants, I approach weaving as a practice that binds together body, spirit, and land. It becomes a way of dreaming with plants—of allowing inner and outer forms, bodies, rhythms, and intentions to intertwine. Through this slow, meditative process, power is not proclaimed but gradually revealed: line by line, loop by loop, moving through the hands and body.

My work attends to plants as sentient beings with whom humans have co-evolved and shared their surroundings. The Thread That Holds reflects on the life force of plants—their nonlinear growth, searching movements, sacred geometries, and sensorial qualities—which I translate into abstract woven sculptures.

Sculptural weaving becomes a devotional act, rooted in the ancient histories of basketry and loom weaving. Structure and sensibility emerge together through the repeated movement of hands across fiber. I hand-spin and dye paper into tactile yarn, then weave paper yarn interlacing it  with other organic fibers. Through this sustained engagement with material, spinning and weaving become an embodied practice and the atuninement to the rhythms of vegetal life and the land.